The BFA Applied Arts program teaches students the creative and technical skills needed to thrive as career artists. Instruction is offered in Advertising Design and Communication Design, including Corporate Identity Design, Package Design, and Commercial Reproduction. Our Graphic department has one of the most current and advanced knowledge of its kind in India, and our state-of-the-art printmaking facilities merge traditional tools with cutting edge technology.
| Level: | Graduate Degree (Regular) | |
| Duration: | 4 Years | |
| Eligibility: | 10+2 in Any Discipline From Any Recognized Board | |
| Course Intake: | Admission Open | |
| Tuition Fee: | INR40000 per year | |
| University: | Renaissance University, Indore |
Course Subjects Overview
| S.no. | Subject | Type | Credits | Medium/Ref. |
|---|---|---|---|---|
| SEMESTER I | ||||
| 1 | Analysis of Form | Practical | 4 | Pencil & Charcoal |
| 2 | Perspective I | Practical | 4 | Pencil and Pen |
| 3 | Color and Design | Practical | 4 | Poster/ Gouche Colors |
| 4 | History of Graphic Design | Theory | 4 | Ref: History of Graphic Design by Phillip B Meggs |
| 5 | Fundamentals of Art(T) | Theory | 3 | Color Theory, Elements and Principle of art by Pooja Jain |
| 6 | English & Environmental Studies | Theory | 4 | Theory |
| SEMESTER II | ||||
| 1 | Perspective II | Practical | 4 | Pencil, Charcoal and Pastel |
| 2 | Introduction to Adobe Illustrator | Practical | 4 | Adobe Illustrator Ref: Visual Grammar by Christian Leborg |
| 3 | Typography, Calligraphy & Lettering | Practical | 4 | Pencil, Pen & Ink |
| 4 | History of Graphic Design II | Theory | 4 | Ref: History of Graphic Design by Phillip B Meggs |
| 5 | Graphic Design Basics | Theory | 3 | Ref: Graphic Design Basics by Amy E Arntson |
| 6 | English & Environmental Studies | Theory | 4 | Theory |
| SEMESTER III | ||||
| 1 | Photography | Practical | 4 | Camera and Prints |
| 2 | Communication Design Project I | Practical | 4 | Pencil, Pastel, Pen & Ink, Adobe Illustrator |
| 3 | Introduction to Adobe Illustrator II | Practical | 4 | Adobe Illustrator Ref: Visual Grammar by Christian Leborg |
| 4 | Portrait Drawing | Practical | 3 | Pencil, Pen and Ink |
| 5 | History of Graphic Design III | Theory | 4 | Ref: History of Graphic Design by Phillip B Meggs |
| SEMESTER IV | ||||
| 1 | Digital Art | Practical | 4 | Adobe Illustrator |
| 2 | Photography – II | Practical | 4 | Camera and Prints |
| 3 | Communication Design Project II | Practical | 4 | Adobe Illustrator |
| 4 | Figure Drawing | Practical | 4 | Pencil, Pen and Ink |
| 5 | Typography | Theory | 3 | Ref: Thinking with Type |
| SEMESTER V | ||||
| 1 | Packaging and Display I | Practical | 4 | Practical and Adobe Illustrator |
| 2 | Visual Scripting & Story Telling I | Practical | 4 | Practical and Adobe Illustrator |
| 3 | Brand Experience Design I | Practical | 4 | Practical and Adobe Illustrator |
| 4 | Infographics I | Practical | 4 | Practical and Adobe Illustrator |
| 5 | Principles of Design | Theory | 3 | Layout Essentials by Beth Tondreau |
| SEMESTER VI | ||||
| 1 | Packaging and Display II | Practical | 4 | Practical and Adobe Illustrator |
| 2 | Visual Scripting & Story Telling II | Practical | 4 | Practical and Adobe Illustrator |
| 3 | Brand Experience Design II | Practical | 4 | Practical and Adobe Illustrator |
| 4 | Infographics II | Practical | 4 | Practical and Adobe Illustrator |
| 5 | Color for Designers | Theory | 3 | Ref: Color for Designers by Jim Krause |
| SEMESTER VII | ||||
| 1 | Communication Design Project III | Practical | 4 | Practical and Adobe Illustrator |
| 2 | Internship | Practical | 4 | Practical and Adobe Illustrator |
| 3 | Semiotics I | Practical | 4 | Practical and Adobe Illustrator |
| 4 | Thesis | Practical | 4 | Practical and Adobe Illustrator |
| 5 | Basics of Semiotics | Theory | 3 | Semotisc by Daniel Chandler |
| SEMESTER VIII | ||||
| 1 | Communication Design Project IV | Practical | 4 | Practical and Adobe Illustrator |
| 2 | Internship | Practical | 4 | Practical and Adobe Illustrator |
| 3 | Semiotics II | Practical | 4 | Practical and Adobe Illustrator |
| 4 | Thesis | Practical | 4 | Practical and Adobe Illustrator |
| 5 | Designing Brand Identity | Theory | 3 | Alina Wheeler, Debbie Millman |
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How can I enrol?
The International Fine Art Academy maintains an open admissions policy for all persons who wish to obtain an education in fine arts. Anyone who mets the requirement can apply for our courses. You may register, pay tuition, and apply for admission online. For Admission please fill in the ADMISSION FORM.
Benefits with IFAA
Graduates of the International Fine Art Academy will demonstrate the ability to:
- Produce work appropriate for seeking skilled opportunities in their chosen field of art and style.
- Solve inventive issues inside their field of art and style, as well as analysis and synthesis of technical, aesthetic, and abstract data.
- Communicate concepts professionally and connect through visual, oral, and written presentation skills.
- A supported environment for the understanding of art and style principles.
- Recognize the influence of major cultural and aesthetic trends, historical and modern, on art.
- Learn the skilled skills and behaviors necessary to vie within the international marketplace for art and style.
Learning Outcomes
Visual Interaction in Painting, Printmaking, and Sculpture
- Create an identical body of work demonstrating proficiency in an exceeding breadth of art disciplines
- Demonstrate effective use of proportion and gesture
- Demonstrate effective use of perspective
- Understanding of three-dimensional composition, crafting (technical skill) and applying underlying conception to the general carved answer.
- Demonstrate basic skills of simple and complex composition
- Demonstrate effective use of color theory
- Use value effectively
- Apply anatomical information to accurately draw the human figures
- Demonstrate attainment and fine attention to detail
- Use acceptable vogue and techniques to effectively execute concepts
- Understand Values, Light and Shadow
- Demonstrate creation and distortion
Method and Material
- In Painting understand material and methods in Fine Arts.
- In Printmaking understand techniques of Lino Cut and Design
- In Sculpture) explore different tools and its uses.
Critical Thinking, Writing, and Analysis
- Explore and clearly articulate concepts and creative possibilities with a given topic or subject
- Analyze the strengths and weaknesses of concept and execution of a given artwork
Professional Communication and Readiness
- Describe work effectively
- Produce a professional-standard portfolio of well-crafted artwork demonstrating coherence and personal vision
Special Programs and Add-ons
√ Workshops by International National Awarded Artists
√ Cross Culture Experience
√ Online Campus with complete Syllabus
√ Art Business Course
√ Project Works and Internships
√ E-Learning Solutions
√ Art Appreciation
√ Critical Thinking & Writing
Teaching Method
At Indore Campus, lecturer and the practical session begins from 9:30 am to 4:00 pm Monday to Friday. Saturday is reserved for project works/ outdoor session/ workshop or Eminent Artist’s visit to the campus. The lecture begins at 10:00 am sharp. All students must be present in class, ready with art supplies for the lecture. 70% attendance is a must. Teaching method includes demonstration and discussion. All assignment must be submitted online for grading.
